Room, ensuite bathroom, bonus slave

I’m continuing the domestic service theme with a link to an article and craiglist post that made me smile. It features an F/m couple looking for a female roommate who can play a role in an FLR. I love the fact they spend longer on the size and temperature of the room than the whole kinky dynamic thing.

Personally I find both roommate negotiation and BDSM complex enough on their own, without trying to mix them all together. But maybe I’m just a pessimist and there’s a domme in DC enjoying a cheap room and a submissive landlord.

I’m afraid I don’t have a source for this shot of domestic bliss.

The barter economy

Dan Savage had a letter from a lady considering taking on a cleaning and housework slave in return for some foot fetish play. She’s concerned about the protocol for clearing it with her roommates. I hope it works out for her, but I suspect she’ll have more problems than explaining the naked guy with the dustpan and brush. I’ve heard very few dommes report success on these arrangements, as against a great many complaining about guys who do a terrible job of cleaning and nag constantly for more play. The submissives love the concept initially, but quickly realize that scrubbing floors and cleaning toilets to a decent standard is hard work. As soon as they realize the domme isn’t planning to stand over them in full fetish gear and micromanage the situation, their interest wanes rapidly.

Maybe I’m being unfair and the failures are just more widely reported than the successes. Anyone out there have first hand experience of this kind of arrangement working well? I have noticed Mistress Darcy regularly recruiting slaves to run facets of her empire (for example here and here). She hasn’t written much on the success (or not) of her applicants, but the fact she continues to use that process suggests some value comes from it.

I’ll finish with a nice image of someone both getting some foot fetish action and making himself useful. I’m afraid I’ve no source for this.

Spend your budget wisely (part 3)

Here’s a final few thoughts to conclude my theory of the submissive ‘stress budget’. See the earlier parts here and here.

Phil raised an excellent point in a comment on the first post: The submissive’s budget can also be diminished by stress and overload from daily life. Sometimes kink can be a release from that pressure, but in other situations it’s necessary to take it slowly and allow more time to grow the budget as play unfolds. It also mean a submissive has a duty to perform self-care and be aware of their own mental state prior to playing.

I hope all my readers understand that the budget concept I’ve described is meant very much as a thought experiment and a theoretical way to think about more complex scenes. I’m not suggesting submissives start negotiating scenes by saying their budget today is 75 and while caning is down 10 on the stress-o-meter, whips are up to an expensive 45. I’m also not suggesting that dommes keep a running budget count in their head during play. This is just a possible abstraction for thinking about limits in a slightly more realistic way than the traditional hard/soft definitions.

Finally, if anyone new to kink and femdom is reading this and thinking that it all seems very complicated and somewhat daunting, then all I can say is please disregard everything I’ve written. You can absolutely ignore all this and have an amazingly fun kinky time. Just grab your partner by the balls, bite his neck and whisper that he’s your slut puppy in his ear. I’ve played for years without caring about any of this and had some amazing experiences. You don’t need to understand film theory to enjoy a great movie, and you don’t need to deconstruct kink to enjoy dominating or submitting to someone.

In line with that idea, and as a change from the last couple of crazy kink images, here’s a simple shot to finish on.

I believe this is the actress Giovanna Ewbank with her husband Bruno Gagliasso. You can see more shots from this sequence here and here.

Spend your budget wisely (part 2)

If you’ve not seen my previous post, then I suggest this post will make a lot more sense if you go read that first. Or alternatively, read this one, try and guess what the hell I’m talking about, and then see if you’re right afterwards. Your call.

Assuming you buy my theory of a submissive stress budget, the obvious follow-up question is: What are the implications? How should I use this information?

The simple answer is to be aware of what your submissive budget is and what it costs to spend it on different activities. That’s certainly a necessary thing to do, but hardly radical new thinking. Where I think it gets interesting is when you start planning out scenes with specific goals in mind. Then I think the idea of a budget helps focus the play. You can evaluate if each new element introduced advances you towards the goal or simply wastes budget.

For example, let’s say you both want to do an intense impact play scene. In this case the bigger the whacks the happier everyone ultimately is. This means the budget needs to be focused on riding out the impacts. So make the submissive’s physical position relaxed, give him room to wiggle and don’t add other clips, clamps or spiky things. If you use bondage, make it light and comfortable. Mix the impacts in with things that grow his stress budget, like touch, teasing and visual stimulation. Spend all the budget on the focus on the scene, not on the details around the edges.

As another example, let’s say you want to try out urethral sounding, but that’s a new and scary thing for the submissive. In this case do the sounding as a very separate activity from other play. Making all his budget available for the sounds will maximize the chance of success and minimize the freak-out potential. Then, when he’s had a chance to calibrate, you’ll both have an idea what could be combined with them in future play.

We typically think about kink and BDSM as being all about maximizing intense experiences. But sometimes you want to achieve a particular effect with the minimum amount of stress. For example, tight hoods burn a lot of my stress budget, but I do enjoy sensory deprivation scenes. The solution to this conundrum is to use ear plugs and blindfolds. That achieves the same effect, but leaves a lot of my budget available for adding bondage, breathing control, e-stim devices, etc. In that kind of scene the domme is trying to add a lot of layers, but not burn too much budget on the early ones.

I’ve a few concluding thoughts on this topic I’ll save for a third and final post. Given I was just discussing sensory deprivation, I thought it’d be appropriate to finish with this image. I’m guessing a lot of his budget has been spent on that impressive wrap. Hopefully he’s got enough left to handle whatever she’s planning for the bit left sticking out.

This is obviously from the Divine Bitches site.

Spend your budget wisely

I’m not sure if this post counts as advice, a rant or me just kicking an idea around. Possibly all of the above. It covers some thoughts that have been top of mind recently and I wanted to get them down in an ordered form.

I’ve been thinking about scenes where the participants have a particular goal in mind. For example, doing an intense whip scene, or trying out a new challenging activity or driving someone crazy with a long tease and denial session. The kind of scenes where it’s not a freestyle, as the mood takes us type of play, but where there is a game plan to execute. For those kind of scenes, I think it’s important to realize that all submissives have a particular ‘stress budget’ available, and the game plan has to be designed so it can reach the goal while sticking within that budget.

We often talk about activities, particularly intense ones, in a binary fashion. Either someone can take it or they can’t. We treat each action, like swinging a cane or tying someone up, in isolation. It’s under their limit and OK or it’s over their limit and they safeword. In reality scenes are often a mixture of activities, and even relatively simple ones like basic bondage, take up some of the submissive’s capacity for handling more. For example, I don’t have an issue with gags, and they’re certainly not a limit for me. But I can take more pain and do more intense activities without one than with one.

I think a better way to think about it is as if each submissive has an overall stress budget that can be allocated across different simultaneous activities. For example, if you’ve tied, gagged and put nipple clamps on a submissive, then you’ve already spent some of his budget on three different things. If CBT is next on the menu, it needs to fit in the remaining budget, or you need to lose one of the existing stress points to create more headroom for new play.

Every submissive starts with a different size of budget. And the cost of different activities will consume different amounts of the budget, depending on the person. For example, sticking a hood on me burns a lot of my budget. I can handle it, but mix it with other activities, and I quickly reach my limit. On the other hand, piecing is a relatively low cost item for me. I can handle it even when combined with a lot other things at once. Other submissive may be exactly the reverse of that.

It’s also possible to increase someones budget. Sexual arousal typically makes it possible for a submissive to deal with more intense play. As endorphins and adrenaline flow then the budget for play increases. Of course what triggers that is again unique to the submissive. For me, things that increase my budget include eye contact, physical touch and blending sensuality with the sadism. For someone else it might the sound of the domme’s heels on the floor, a particular outfit or a roleplay scenario.

If my theory of stress budget is correct – what are the implications for constructing scenes? I’ll save that for part two in tomorrow’s post. Until then, I’ll leave you with an image of a budget that’s being spent in many different ways.

I believe this is by Miss Velour. She’s a UK based pro-domme and you can visit her professional site here.

Finger Blast

This is continuing the anal play theme from yesterday’s post. There are two great expressions in this photograph, produced as a result of two (or possibly three) fingers. It’s hard to tell from this shot if this is the start of a fisting session, a prostate massage or the warm to a strap-on. Either way, it should result in plenty more happy expressions.

I’m afraid I don’t have an original source for this image.

Updated: Thanks to a very helpful comment I can now attribute this to Evil Angel and the movie “Knock You Down a Peg” starring Sebastian Keys and Ella Nova.

Feedback

My rant on blindfolds in the previous post prompted a comment from Simon that highlighted the value of eye contact when playing. I didn’t explicitly call that issue out, but he’s absolutely right. Forget fancy fetish outfits, crazy kinky activities and intense sexual fantasies. The simplest and most effective thing a domme can do to push my buttons is combine pain with eye contact.

It’s really a feedback process. The domme is studying me and reacting to my expression. In turn I’m responding to her interest and focus on me. It’s a curious blend of objectification and intimacy. Being played like an instrument, with pain simple the mechanism to achieve a desired response, is objectifying. Yet we’re both feeding off each others reactions and emotions, which is an intimate exchange. I love to see a smile as I scream.

Not a lot of pain being inflicted in this image, but I do like the pose and the eye contact.

I like to watch

I should give you fair warning, this post might be a bit of a rant. In the past I’ve vented here on topics like flirting with limits and cold playspaces. Today I’m going to take on a very popular BDSM accessory – the blindfold.

I’ll admit upfront that there are good situations for using a blindfold. They clearly work well as part of a sensory deprivation scene. If you want to change a routine up and introduce some surprises then a blindfold can help with that dynamic. They’re also great for beginners to reduce the pressure on the domme. He can let his imagine run wild while she has time to figure out exactly how the cuffs are supposed to work. What I don’t understand is why they’re so popular outside these situations. They often seem to get incorporated because they can be, rather than as a necessary component of a larger plan.

I’m particularly puzzled by how often pro-dommes tend to use them. I think it’s fair to say that most pro-dommes are very attractive women. That might not be a requirement of the job, but it’s unarguably a significant advantage. They also tend to spend a lot of money on exciting fetish gear and sexy footwear. So why on earth would they want to slap a blindfold on me so I don’t get to experience that visual pleasure? I’ve heard that it’s so I can use my imagination, but frankly I have the rest of my life to use my imagination. I’m paying money so, just for a few hours, I can enjoy an amazing reality that’s better than my kinky imagination.

The other strange thing I’ve observed is that blindfolds often seem to get used in initial sessions when the dominant and myself are still getting to know one another. That really doesn’t make much sense to me. It’s tough to quickly build the kind of dynamic necessary for intense play when you only see one another for a couple of hours ever few weeks or months. So why would you want to put up a barrier to make it harder to build the necessary chemistry? If I know someone intimately, then a blindfold can represent an interesting twist on that relationship. But if I met you for the first time 30 minutes ago, a blindfold just means a stranger I can’t see and don’t know is now hurting me. That might be a kink for some, but I doubt it is for most submissives. Pain is only hot in context, and absent a history together, a blindfold takes a lot of that context away.

I’ll admit I’ve had some fun sessions with blindfolds. I remember a scene with Lydia featuring saran wrap mummification, ear plugs, a blindfold and an e-stim device that almost pushed me into a hallucinatory state. I had difficulty speaking at the end of that. But in that case there was a very clear reason for the blindfold, and it was done when Lydia and myself had already played together for a hundred hours plus. I’ve done a lot more sessions with other dommes where the blindfold only subtracted from the scene and made it that much harder to relax into the moment.

Feel free to leave a comment if violently disagree (or agree) with me on this. I’m curious if it’s just me who feels this way, or if there’s a perspective (particularly from the domme side) that I’ve missed.

I believe this image is by Miss May of the Fetish Webmistress site.

This wasn’t in Drivers Ed

Apparently in Japan it’s permissible for women to slap male drivers who don’t apply the brakes smoothly. I base this unlikely statement on this advert from Nissan and the fact that advertisers have never lied to me. Femdom fans should therefore avoid at all costs Nissan’s new e-Power system, with threatens to put an end to all to this facial brutality.

Based on its style, this face slapping artwork is clearly by Namio Harukawa.