Spend your budget wisely (part 2)

If you’ve not seen my previous post, then I suggest this post will make a lot more sense if you go read that first. Or alternatively, read this one, try and guess what the hell I’m talking about, and then see if you’re right afterwards. Your call.

Assuming you buy my theory of a submissive stress budget, the obvious follow-up question is: What are the implications? How should I use this information?

The simple answer is to be aware of what your submissive budget is and what it costs to spend it on different activities. That’s certainly a necessary thing to do, but hardly radical new thinking. Where I think it gets interesting is when you start planning out scenes with specific goals in mind. Then I think the idea of a budget helps focus the play. You can evaluate if each new element introduced advances you towards the goal or simply wastes budget.

For example, let’s say you both want to do an intense impact play scene. In this case the bigger the whacks the happier everyone ultimately is. This means the budget needs to be focused on riding out the impacts. So make the submissive’s physical position relaxed, give him room to wiggle and don’t add other clips, clamps or spiky things. If you use bondage, make it light and comfortable. Mix the impacts in with things that grow his stress budget, like touch, teasing and visual stimulation. Spend all the budget on the focus on the scene, not on the details around the edges.

As another example, let’s say you want to try out urethral sounding, but that’s a new and scary thing for the submissive. In this case do the sounding as a very separate activity from other play. Making all his budget available for the sounds will maximize the chance of success and minimize the freak-out potential. Then, when he’s had a chance to calibrate, you’ll both have an idea what could be combined with them in future play.

We typically think about kink and BDSM as being all about maximizing intense experiences. But sometimes you want to achieve a particular effect with the minimum amount of stress. For example, tight hoods burn a lot of my stress budget, but I do enjoy sensory deprivation scenes. The solution to this conundrum is to use ear plugs and blindfolds. That achieves the same effect, but leaves a lot of my budget available for adding bondage, breathing control, e-stim devices, etc. In that kind of scene the domme is trying to add a lot of layers, but not burn too much budget on the early ones.

I’ve a few concluding thoughts on this topic I’ll save for a third and final post. Given I was just discussing sensory deprivation, I thought it’d be appropriate to finish with this image. I’m guessing a lot of his budget has been spent on that impressive wrap. Hopefully he’s got enough left to handle whatever she’s planning for the bit left sticking out.

This is obviously from the Divine Bitches site.

Spend your budget wisely

I’m not sure if this post counts as advice, a rant or me just kicking an idea around. Possibly all of the above. It covers some thoughts that have been top of mind recently and I wanted to get them down in an ordered form.

I’ve been thinking about scenes where the participants have a particular goal in mind. For example, doing an intense whip scene, or trying out a new challenging activity or driving someone crazy with a long tease and denial session. The kind of scenes where it’s not a freestyle, as the mood takes us type of play, but where there is a game plan to execute. For those kind of scenes, I think it’s important to realize that all submissives have a particular ‘stress budget’ available, and the game plan has to be designed so it can reach the goal while sticking within that budget.

We often talk about activities, particularly intense ones, in a binary fashion. Either someone can take it or they can’t. We treat each action, like swinging a cane or tying someone up, in isolation. It’s under their limit and OK or it’s over their limit and they safeword. In reality scenes are often a mixture of activities, and even relatively simple ones like basic bondage, take up some of the submissive’s capacity for handling more. For example, I don’t have an issue with gags, and they’re certainly not a limit for me. But I can take more pain and do more intense activities without one than with one.

I think a better way to think about it is as if each submissive has an overall stress budget that can be allocated across different simultaneous activities. For example, if you’ve tied, gagged and put nipple clamps on a submissive, then you’ve already spent some of his budget on three different things. If CBT is next on the menu, it needs to fit in the remaining budget, or you need to lose one of the existing stress points to create more headroom for new play.

Every submissive starts with a different size of budget. And the cost of different activities will consume different amounts of the budget, depending on the person. For example, sticking a hood on me burns a lot of my budget. I can handle it, but mix it with other activities, and I quickly reach my limit. On the other hand, piecing is a relatively low cost item for me. I can handle it even when combined with a lot other things at once. Other submissive may be exactly the reverse of that.

It’s also possible to increase someones budget. Sexual arousal typically makes it possible for a submissive to deal with more intense play. As endorphins and adrenaline flow then the budget for play increases. Of course what triggers that is again unique to the submissive. For me, things that increase my budget include eye contact, physical touch and blending sensuality with the sadism. For someone else it might the sound of the domme’s heels on the floor, a particular outfit or a roleplay scenario.

If my theory of stress budget is correct – what are the implications for constructing scenes? I’ll save that for part two in tomorrow’s post. Until then, I’ll leave you with an image of a budget that’s being spent in many different ways.

I believe this is by Miss Velour. She’s a UK based pro-domme and you can visit her professional site here.

Finger Blast

This is continuing the anal play theme from yesterday’s post. There are two great expressions in this photograph, produced as a result of two (or possibly three) fingers. It’s hard to tell from this shot if this is the start of a fisting session, a prostate massage or the warm to a strap-on. Either way, it should result in plenty more happy expressions.

I’m afraid I don’t have an original source for this image.

Updated: Thanks to a very helpful comment I can now attribute this to Evil Angel and the movie “Knock You Down a Peg” starring Sebastian Keys and Ella Nova.

The sexual power of the penetrating tool

While researching yesterday’s post featuring Mistress Yin, I came across this article by her on the pleasure she takes from anal sex as a top. I think it’s a great piece, and it really captures the aspects of anal play that make it so appealing to her.

I remember chatting to a domme about top space and the various ways she could access it. I was somewhat surprised to learn that she found that wielding a strap-on was one of the most consistent routes in to it. I’d always assumed top space would be tied to more obvious controlling and sadistic activities like bondage, corporal, piercing, etc. Yet for her it was the very intimate level of control and physical manipulation that came from a strap-on that worked most effectively.

This obviously isn’t Mistress Yin. I believe, based on this tweet, it’s Tristan Taormino.

Mercy Mistress

If you’re a fan of femdom (that should be almost everyone) and independent visual arts (hopefully a non-trivia subset of the former group), then allow me to direct your attention to Mercy Mistress. It’s a new series being developed by Mistress Yin and, as she describes in this slutist article

I want to make a webseries about kink, BDSM, the sex industry, Asian American-ness, queerdom, and good food.

Mercy Mistress is a fictional show based on my career as a professional dominatrix in New York City. Each episode focuses on a particular client, their kink, and their slice of life: Where their proclivities developed from and how they balance (or don’t balance) with their “vanilla” reality. From the nucleus of one woman’s work, the show delves into all the colors and shades of sexuality.

If you want to help her to develop the series then there’s a Chuffed campaign running for donations.

This is Poppy Liu playing Mistress Yin.

Feedback

My rant on blindfolds in the previous post prompted a comment from Simon that highlighted the value of eye contact when playing. I didn’t explicitly call that issue out, but he’s absolutely right. Forget fancy fetish outfits, crazy kinky activities and intense sexual fantasies. The simplest and most effective thing a domme can do to push my buttons is combine pain with eye contact.

It’s really a feedback process. The domme is studying me and reacting to my expression. In turn I’m responding to her interest and focus on me. It’s a curious blend of objectification and intimacy. Being played like an instrument, with pain simple the mechanism to achieve a desired response, is objectifying. Yet we’re both feeding off each others reactions and emotions, which is an intimate exchange. I love to see a smile as I scream.

Not a lot of pain being inflicted in this image, but I do like the pose and the eye contact.

I like to watch

I should give you fair warning, this post might be a bit of a rant. In the past I’ve vented here on topics like flirting with limits and cold playspaces. Today I’m going to take on a very popular BDSM accessory – the blindfold.

I’ll admit upfront that there are good situations for using a blindfold. They clearly work well as part of a sensory deprivation scene. If you want to change a routine up and introduce some surprises then a blindfold can help with that dynamic. They’re also great for beginners to reduce the pressure on the domme. He can let his imagine run wild while she has time to figure out exactly how the cuffs are supposed to work. What I don’t understand is why they’re so popular outside these situations. They often seem to get incorporated because they can be, rather than as a necessary component of a larger plan.

I’m particularly puzzled by how often pro-dommes tend to use them. I think it’s fair to say that most pro-dommes are very attractive women. That might not be a requirement of the job, but it’s unarguably a significant advantage. They also tend to spend a lot of money on exciting fetish gear and sexy footwear. So why on earth would they want to slap a blindfold on me so I don’t get to experience that visual pleasure? I’ve heard that it’s so I can use my imagination, but frankly I have the rest of my life to use my imagination. I’m paying money so, just for a few hours, I can enjoy an amazing reality that’s better than my kinky imagination.

The other strange thing I’ve observed is that blindfolds often seem to get used in initial sessions when the dominant and myself are still getting to know one another. That really doesn’t make much sense to me. It’s tough to quickly build the kind of dynamic necessary for intense play when you only see one another for a couple of hours ever few weeks or months. So why would you want to put up a barrier to make it harder to build the necessary chemistry? If I know someone intimately, then a blindfold can represent an interesting twist on that relationship. But if I met you for the first time 30 minutes ago, a blindfold just means a stranger I can’t see and don’t know is now hurting me. That might be a kink for some, but I doubt it is for most submissives. Pain is only hot in context, and absent a history together, a blindfold takes a lot of that context away.

I’ll admit I’ve had some fun sessions with blindfolds. I remember a scene with Lydia featuring saran wrap mummification, ear plugs, a blindfold and an e-stim device that almost pushed me into a hallucinatory state. I had difficulty speaking at the end of that. But in that case there was a very clear reason for the blindfold, and it was done when Lydia and myself had already played together for a hundred hours plus. I’ve done a lot more sessions with other dommes where the blindfold only subtracted from the scene and made it that much harder to relax into the moment.

Feel free to leave a comment if violently disagree (or agree) with me on this. I’m curious if it’s just me who feels this way, or if there’s a perspective (particularly from the domme side) that I’ve missed.

I believe this image is by Miss May of the Fetish Webmistress site.

A cunning plan

Trying to dig up dirt dirt on your political opponents is a time honored trick. Liberal Democrat candidate Dean Stone seemed to be giving it a shot when he emailed his opponent to ask if she had ‘anything embarrassing’ in her past. Admittedly, simply asking your opponent to simply volunteer political ammunition is pretty dumb, but at least it follows the basic formula. However, he then decided to give the old storyline a new twist, by sending her a naked picture of himself, partly dressed as a mouse and with a dominatrix. Presumably he thought she might not have been clear what he meant by ’embarrassing’, and thought that a personal example might really clarify his original request.

In today’s climate, it’s tough to set new standards for dumb political decisions. I really thought America had this sewn up. Yet Mr Stone has made a strong play here to bring Britain back into contention. Sadly, despite his cunning plan, he ended up coming 6th out of 6 candidates, so clearly the British voters aren’t on board with this new approach. Maybe he should try giving the White House a call? They seem to like out-of-the-box thinkers who can do exciting new things with social media.

Of course if Servitor had his way, male politicians and voters would be a thing of the past.

This wasn’t in Drivers Ed

Apparently in Japan it’s permissible for women to slap male drivers who don’t apply the brakes smoothly. I base this unlikely statement on this advert from Nissan and the fact that advertisers have never lied to me. Femdom fans should therefore avoid at all costs Nissan’s new e-Power system, with threatens to put an end to all to this facial brutality.

Based on its style, this face slapping artwork is clearly by Namio Harukawa.