The beauty of dominant women
This artwork is by the Italian artist Guido Crepax. Based on this tweet it’s circa 1980. Searching through past posts, I’m kind of surprised to discover I’ve not featured his art before. He was a significant creator of erotic art through the 60’s, 70’s and 80’s, with the character Valentina being his most famous creation. While he wasn’t a femdom illustrator, kink is a common theme in his work. The Lambiek Comiclopedia has a good article on him if you’re interested to learn more.
Twitter remains a great place to stumble on new and interesting content, despite Elon’s efforts to screw it up. For example, I present the spectacular shots below that were posted by Temptress Pixie. I love the drama of these. Dramatic setting can often clash or detract from kinky shots, but in these the brutality of the setting complements the scene beautifully. You can see the original full resolution shots, along with additional photographs, in this and this tweet.
Here’s some lovely artwork to celebrate the weekend. I’m afraid I’ve no idea who the artist is, but they’ve done a beautiful job with the colors and composition of the scene. It’s both an intense and serene moment.
If anyone can help me attribute this to the artist then please leave a comment. The post title is a nod to an obscure cult movie, but I’d be surprised if anyone guesses which.
A week or so ago I wrote a couple of posts on happy memories of dialog and sound effects from past sessions. I thought it’d be interesting to follow those up with a verbal interaction that didn’t go so well. This example is from a few years back. It’s rare that I have a bad memory of a session but this particular moment has stuck in my mind, partly because it seems so trivial. Odd for a small thing to make such a big difference to a dynamic.
It was my first session with this particular domme and part of it involved a whipping scene. I’m generally not a fan of doing whipping with someone I don’t know well, as the intensity levels can vary dramatically and it requires a certain amount of trust to relax into the headspace. However, I am a fan of being flexible and open to how a domme wants to compose a session, and so as long as it’s not a hard limit, I tend to go with the flow.
She had me tied facing a wall and the warm up period was relatively short. That already meant we had two strikes working against us. Not being able to see a domme, particularly when I’m playing with someone I don’t know well, always makes a scene harder. The pain becomes disconnected from the dynamic and simply becomes something to tolerate, rather than being channeled through my desire.
It wasn’t the most intense whipping I ever received, but it certainly wasn’t light. By the time we’d finished I was feeling pretty proud of myself for taking it all. At which point the domme said “Hmmm. Not bad I suppose. For a first attempt.”
That comment totally drained the energy out of the scene for me. Maybe it was intended as a combination of compliment and encouragement, but it had the opposite result. I felt like the scene had been set-up for failure, I’d powered through to make it work, and yet couldn’t even get a ‘Good Boy’ out of her. We didn’t play together again.
As I said at the start, it was a trivial thing. I’m sure the domme didn’t think anything of it. Yet for me, with the endorphins churning in the heightened emotions of subspace, it was a mood killer that I remember years later.
This is very much not the domme in question. Both her whip and her smile are a lot bigger than in my scene. I believe this is Mistress Ama K from the Latin Beauties in High Heels site. I’m not aware of a personal site for her.
My favorite femdom images are often those with a degree of ambiguity to them. The kind that let you project your own stories and fantasies into them. For example, what’s happening in the image below? Is this a candid shot captured between filming a scene? Aftercare at the end of a whipping? Or just a pause and a chance to inspect her handiwork before wielding the whip again? I like to imagine it as a caring sensual moment, a contrast of touch and sensations to the intensity of the whip. But that probably says more about my kinks than it does about the image itself.
I believe the domme here is Lady Diosa. I’m not aware of a professional site for her, but she does have films posted here.
Continuing the theme of vintage shots of women holding whips badly (it’s a very narrow fetish niche), here’s Hedy Lamarr in a shot from the 1946 movie ‘The Strange Woman‘. I’ve blogged about the awesomeness of Hedy before, but even a fan like myself would have to admit, she doesn’t exactly look committed to the role of fearsome whip wielder in this shot. You get the impression she has no idea why she’s been given it in the first place.
The post title obviously derives from a certain well known comedy film. Amusingly, Hedy Lamarr actually sued for $10M over the use (or abuse) of her name and ended up accepting money (presumably a lot less) in an out of court settlement.
Should I run such things, this image would make for a great caption competition. I can imagine it as both a before or after shot. Obviously, with a look this disarming, the whipping itself will be a brutal one. But is this the before look of someone who has been gently coaxed into giving BDSM a try, and whose partner is about to discover that one should be careful what one wishes for? Or is the after look of someone who might have just got a little bit carried away, and is now wondering if the neighbors heard the screams?
This is a great shot of Mistress Natsukiss and an unidentified slave. Her expression carries elements of both concentration and pleasure. I don’t know if this is the original image or it has been cropped after the fact. Either way, I like this framing. It tells you exactly what’s going on, while still leaving the imagination to fill in the details.
My LA trip so far has been a lot of fun. I’ve probably over scheduled my play sessions (as usual) and definitely eaten too much, but there are worse problems to have in life.
It kicked off with a fabulous session with Mistress Iris, where we attempted to answer the question: Just how hard can someone bite my nipple while teasing and frustrating me? The answer is very hard. Very hard indeed. I was still tender several days later. It’s amazing what being tied up and toyed with can do for my pain threshold. I don’t have a vore kink, but being bitten while in subspace does sometimes make the idea of being devoured actively appealing. At least in that moment.
For fans of Mistress Iris, or just fans of great kinky imagery, I’d encourage you to check out her newly launched Patreon. As I’ve written before, I think she produces some of the hottest and most aesthetically interesting femdom content around, so her Patreon should definitely be worth investing in.
This image of Mistress Iris was shot in Japan, with the traditional cherry blossoms as a backdrop.
Getting older inevitably means there are more and more things I don’t understand. My brain can only fit so much and our culture endlessly creates more and more stuff. I’m at peace with this. What really puzzles me are the things that I’ve known for years and never understood. Like the social pressure for women to remove armpit hair. As this articles highlights, it’s kind of a thing for a lot of people. I get that from an aesthetic perspective a great bushy undergrowth might be best avoided, but what’s wrong with a little scrub? I’ve never understood why totally bare is seen as normal.
I actually feel the same way about pubic hair. I’ve had dommes in the past get slightly annoyed that I’m not completely clean shaven around the genital region, which always tends to provoke a kind of reverse Costanza in me – “Is that wrong? Should I have done something about that? I tell ya, I’ve got to plead ignorance on this thing.”
This is Mistress Youko, a Japanese pro-domme, with a sexy armpit image posted to her twitter feed. Interestingly doing an image search for something like ‘femdom armpit’ produces an endless stream of denuded pits. Hair like this is definitely the exception, not the rule.