Tag: Photograph

Sign Up

The impact of the FOSTA-SESTA clusterfuck continues to be felt online and by sex workers. Sadly, I think this is just the start of it. The much bigger impact will be after the bill has been signed into law and a prosecutor picks his first set of victims to go after. That’ll focus minds and trigger a much bigger wave of censorship and purging of voices from the internet.

There’s an online partition against the bill available here. It took me  just 30 seconds to sign it and click on a link. Please do the same. I don’t know what difference it’ll make with the current executive in charge but, at the very least, hitting the required signature count will raise awareness and potentially lead to more articles like this. Reversing these things is never about a single dramatic gesture, but more a slow chipping away and winning over the minds of people who might not otherwise think about these issues. So go sign it.

As a reward for those readers who sign it – here’s a delightful video of a pair of dommes reenacting the famous pottery scene from the move Ghost. Although in this case there’s rather less clay and rather more enormous dildos covered in lube. But remember – no watching unless you sign the partition! You’re on the honor system here.

The video starred Mistress Evilyne and Goddess Anastaxia (pictured above) and was created by ‘Filmed by Duke‘. If the two dommes sound familiar, that’s because they were featured in this heart warming post last month.

Terminal

Fans of deadly femme fatales may want to look out for the movie Terminal staring Margot Robbie. I know basically nothing about it, other than the trailer features a very femme and very fatal looking Margot making wisecracks while shes tortures a man handcuffed to a bed. If you’re anything like me, that’ll put you first in the line when the movie comes out in May.

The image below is Margot doing her best haughty domme stare in a shot for V Magazine. If you’d like to see more of Margot in a PVC catsuit, there’s an image gallery from the shoot here.

Saying ‘No’ to men

LA’s Natalie West has a written an interesting article entitled ‘I tell men “no” for a living: What a dominatrix knows about #MeToo‘. As the title suggests, it touches on issues of consent, boundaries and the men who potentially violate them, from her perspective as a domme. I normally like to pull out a representative post quote from these kind of articles, but this is a dense piece that doesn’t lend itself to excerpting. If you’ve come to this blog for hot sexy stuff, then stick to this picture from her professional site, but for anyone looking for a more thought provoking read, it’s worth checking out.

This is from her gallery page. If you’re in the LA area and want to a session, then booking info is here.

Bad Connections

I normally like being able to make new connections between old posts. This is sadly not one of those times.

Earlier this month I featured a surprisingly solid article from Cosmopolitan on nipple clamps. A few days before that I wrote a post entitled Beware Hijackers, warning of the dangers of the #MeToo movement being subverted by the anti-sex crowd. Today brings an unwelcome connection between these two things, with the news that Walmart has pulled Cosmopolitan from its checkout lines.  This was apparently driven by a bunch of fuckheads called the ‘National Center on Sexual Exploitation’ who claimed that the sex articles in the magazine contributed to the #MeToo culture and the sexual harassment of women.

I don’t actually care too much about Cosmopolitan magazine per se, but I do care about the anti-sex crowd twisting #MeToo for their own ends. And I hate the puritanical attitude that seems to be rising in the US. I fear that this is just the start of it.

This is Edie Sedgwick, a model and actress, sitting on her manager Chuck Wein. She was one of Warhol’s superstars in the late 60’s.  I don’t think she was ever in Cosmo, but she was covered in Vogue, and looked stunning. Sadly she died in 1971  from alcohol and drugs. Note that the link in the image doesn’t go anywhere useful.

Funny Mummy

After some seriously depressing politics, I felt a touch of humor might be required. And I can’t think of anyone who can combine humor, playfulness and some seriously intense bondage quite like Lady Hinako. The mummification image below is from her twitter feed. It makes me smile each time I look at it. The second image, of Mistress Hinako herself, is from a different scene and taken from her blog post entitled Hinako Hospital. Even in medical play, she manages to inject (ahem) some fun decoration of her submissive.

Better Know a Lamp: Part 4

Welcome to another entry in my intermittent series of posts on submissives as lamps. The series has only had 4 entries in almost 7 years, but that is 3 more than I was expecting. Past examples are here, here and here.

It’s not a fetish I personally get, but it does make me smile. It’s both kinky and surreal. Clearly not widely popular (given that I don’t see many lampshades featured as equipment in play spaces) but it does seem to persistently pop up in kinky imagery. For those that do like it, standby for  another entry in the series sometime in 2019-2021.

This is from the instagram of latex.Jacqueline The-ripper.

Bubbles of Intimacy

This Business Insider article describes a photographic project capturing couples in intimate moments. The twist in the tale is that they all feature the photographer Marie Hyld,  and a stranger she’s met for the first time just minutes before (as recorded in the corner of the photographs). Most of the shots are fairly conventional sweet/casual/romantic moments, but there’s one fun fetishistic one I’ve featured below.

Mistress Matisse made an insightful comment on the series via a tweet…

So, this photographer is basically tapping into the dynamic that many sex workers create, only she’s doing it in a performative way, instead of it being for the person she’s with.

I have to admit that when I started playing with pro-dommes I was puzzled by the nature of the dynamic. It felt genuine but was also in a sense artificial. Intimacy between relative strangers. Nobody was pretending, but we were also suspending disbelief. Was it real? Or fake?

In the end I decided that these were the wrong questions to ask. It was what it was. A little bubble in time and space. It was genuine of itself, and incomparable to anything else. I didn’t have to try and sort it into my existing categorizations. I could carve out an entirely new space for it.

The series of photographs is called lifeconstructions and can be seen on the photographers web site.

On the hook

Normally when I find or, as in this case, I’m sent an interesting image, I hang onto it until there’s a suitable article or post topic to associate it with. I’ve got a long backlog of images that I like but I’ve yet to find the perfect post to drop them into.

In this case, I’m just going to put the image out there and let it stand alone. I love it. Their expressions are perfect. I just can’t imagine any kind of kinky rant, sexual politics, scene dynamics or mainstream kink story I’ll be able to fit it into. It’s just a thing all of its own.

This is by the artist Miles Aldridge and was shot for the German Stern Magazine. Thanks to Marga and Titia for pointing me at it.

Making an Entrance

This image, featuring the beautiful Mistress Alice, has a great evil doctor or sexy mad scientist vibe going on. Words like splayed, clamps, insertion and orifice all spring to mind. The submissive should ideally be brought in by a pair of helpful assistants using one of those Hannibal Lecter vertical wheeled trolleys. Unable to either escape or avoid seeing what’s about to happen to him.

I’ve often thought that entrances to scenes are an underdeveloped part of kinky play. There might be some leashing, or pulling by a body part or CFNM dynamic, but that’s about it for most scenes. The problem with doing something dramatic – like being delivered in a dog crate or bound on a hospital trolley – is you need a big space and multiple dommes. To really make it work you’d need a packing scene to happen with one domme – turning the submissive from  a person to an experimental object – and then a delivery to another domme in a different location for the pain and torment. Ideally with a period of waiting and watching in between to heighten the tension and emphasis the sense of objectification.

It’s hard to see how to make that kind of opening act work in most playspaces I’ve seen in the US. Maybe if I get chance to ever play somewhere like Studio Avalon, with its extensive facilities and large team of dommes, it’d be an idea to try.