The beauty of dominant women
I really should post more Stanton artwork. He was a tremendous illustrator and produced a huge amount of exciting drawings. His work is always very energetic and physical. I’m not a big over the knee spanking fan (it’s fun, just not a major kink of mine), but this drawing still got my attention. It really communicates the speed and force of that paddle blow. I can almost hear the splat of the wood on flesh.
Today’s image comes courtesy of kinky delight by way of eros blog. It’s a nice combo of chains, clamps, brushes and electroshock.
I’ve posted in the past that I’m not sure Bacchus from eros blog really gets femdom. That’s not a crime of course. There’s no reason he should have to understand or enjoy every form of sexuality or porn in the world. In this case his comment that goes along with the image reinforces my previous impression.
I’ve always figured that the men who enjoy cock and ball torture (CBT for short) have bought in (a bit more seriously than most of us) to the old adage “There’s no such thing as bad attention.”
I know he’s kind of joking, but at the same time that seems to miss the mark fairly significantly. There are many easier ways to get attention. And if it was as simple as this, then there would be no such thing as bad CBT. Anyone who has been on the end of CBT that was too much too soon will know that’s not the case. Ramping up the intensity too fast can leave me faint and nauseous, and a long way from my happy subspace.
Really good CBT is, by way of contrast, one of the best and most involving D/s experiences I can have. In many ways it’s a little like the flip side of edging. There you’re trying to keep a pleasurable sensation just the right side of a shifting line, stopping the sensation spilling over into the ultimate pleasure. Great CBT for me does a similar thing, building the pain, taking it to the very edge of what I can take, and then inching forward as the endorphins flow and I drift into a submissive trance.
In a CBT session I did fairly recently the mistress used sharp vicious little clips. Starting with the safer (slightly) less painful areas, she slowly worked towards the most sensitive spots, the nerve clusters at the end of the cock. Long before she got there I was spacing out, trapped and unable to avoid what I knew she was going to do to me. And then when the dozen or so clips were in place, my body squirming as the last oh so painful ones were attached, she began to gradually retrace her steps. Each clip was ripped free, the jaws still pinching my flesh. Even in my zoned state the anticipation I felt as she slowly built back towards those last few clips was incredible.
I’m afraid I don’t have an original attribution for the image. Stylistically it looks a little like Annmo Night, but I don’t recognize it from the image sets I have of his. Anyone have any ideas?
Update: Once again my readers come through for me. As I suspected it is an Anmo (or Annmo) Night image, taken from Comic For Masochist Only 3. Thanks to clitlicksluttyworm for the pointer!
There’s an awful lot of M/f Japanese bondage artwork available, but the F/m dynamic seems to be far less common. I came across this one originally on homer’s blog and then tracked down another source for him at the Mistress Fantasy blog. The artist is Akira Kito (1925-1994) and his work seems to be done in a traditional style, whilst incorporating some very explicit activity.
What I know about rodeo you could write on the head of a pin, but I believe the general idea is to stay in the saddle as long as possible. That being the case, I think she’s onto a winner, as she appears to have her horse well and truly under control.
Artist is unknown, although based on the style I think he or she has done a number of femdom illustrations that I’ve spotted floating around. I found on the snail meilke site.
I’ve posted multiple times in the past about the sexiness of dominant women in glasses (for example here and here). But this image represents the first time I’ve posted what looks like a dominant women in a monocle. I’m not about to forsake my love of the bi-lense design, but there is something appealing about this drawing. It makes me think of aristocratic accents, decadent countesses and perverse sexual practices in secluded chateaus. You know, all the good stuff.
The text is in Italian, and as best I can make out (from a combination of google translate and bing translate), says something like – “I have nothing against play spanking as an erotic game, even as mild aphrodisiac I don’t mind”.
I’m afraid I don’t know the artist. I found it on “Yes, Mistress” tumblr site.
Updated: Once again my excellent blog browsers come through for me with an attribution via the comments. This is by Leone Frollo. You can read a little about him and see more of his work here.
I’m pretty certain this is artwork by Kahori. It has his* very distinctive artistic style and the symbol/signature in the corner resembles the ones on other drawings from him.
Like a lot of his work it shows a more delicate and less forceful style of domination than is normally seen in other femdom images. His artwork often does a good job of conveying the idea of a relationship between the participants, rather than simply focusing on the mechanics of a kinky activity.
Little thoughtful moments in a scene, like wiping the cheek of a gagged slave, really touches something deep within me. That’s partly because it plays to the idea of the caring sadist, a blend of sweetness and acidity that I find so appealing. But I think it’s also because it emphasizes what the dominant is not doing. She could simply remove the gag if she wanted him to stop drooling. Wiping the cheek instead reinforces the fact that removal isn’t currently an option. She’ll do what’s necessary to keep him exactly as she wants him.
* I’m using a male pronoun in this post for clarity, but I don’t actually know the gender of the artist. Apologies if I’ve got it wrong.
This is a sketch by the artist known as Vernice61. He’s featured here in the past, and you can see a whole collection of his drawings over at the Mistress Fantasy blog.
I like his work a lot. The women always looks very calm and in control, and he’s never shy about stuffing all sorts of tortuous ideas into a single drawing. In this case we have inverted suspension bondage, some nipple torture, a hood plus gag and what looks like a large needle about to inserted into the scrotum. However, what really caught my eye about this image was the little hearts emanating from the slaves head. Weird, but kind of cute.
…still hurt as much when shoved into my asshole?
Yes, I know, I bastardized the original phrasing. Despite the common usage, there was no ‘would’ in the original Shakespeare’s line. But it was too hard to resist given this first image.
When I first saw this (on snail meilk) I thought it was fairly unique. After all, how often do flowers feature in a BDSM scene? Forniphilia might be fairly common, but it’s not often you see a human vase. Or at least I didn’t think so until I stumbled across the second image on the Willing Submissive tumblr site. Clearly having a functional but decorative slave is more appealing than I originally suspected.
This isn’t the first time Superman has made an appearance here, but in this instance Catwoman seems to have actually put a scratch or two in the man of steel. She looks pretty happy about her handiwork. I think the appropriate expression would be ‘like a cat that got the cream’, although that may have other connotations in this particular context.
I know a lot of guys cite Linda Carter’s Wonder Woman as one of their earliest memories of being attracted to a powerful female figure. I certainly enjoyed watching that as kid, but for me it was Julie Newmar’s Catwoman that really grabbed my attention. There was something so much more exciting about a darker and more morally suspect character than the wholesome all American Wonder Woman.
I found this on the iHonorHer blog.
I don’t feature a lot of femdom fiction or erotic writing in my daily posts. There are a couple of practical reasons for that. A few pages of text is less visually appealing than an image, and I like my front page to be aesthetically interesting. There’s also considerable more investment needed on the part of the reader. If someone doesn’t like one of the images I post they can quickly move on. Reading a story is a much greater time sink.
Despite that I think I should really make more of an effort to highlight good erotic writing. It’s actually my porn of preference, and I’m sure I spend longer browsing fiction sites than I do photographic or video alternatives. Even as a teenager I enjoyed the letters and fiction over the images in the tattered porn magazines we’d pass around at school. My friends always used to think that was kind of weird, so I guess nothing much has changed there.
My fiction pages lists a whole bunch of resources for finding good writing. Author’s like Anne Gray, drkfetyshnyghts, Abe Froman and Musker have produced some really excellent work. I’ve even given it a shot myself, albeit with mixed results.
One author I’ve particularly enjoyed recently is Tyjord. His writing can be a little extreme, featuring lots of enemas, intense predicament bondage, watersports and humilation. There’s also older sister with younger brother interactions, which some people might find off-putting. But if you’re like me, and enjoy your femdom fiction a little edgy, featuring over-the-top situations, he’s definitely worth investing some reading time in. For a gentle introduction I’d start with ‘A place to stay‘, or alternatively head for ‘Christopher’s Predicament‘ to go straight into the more extreme stuff.
Picking an artist to accompany Tyjord’s work is a on-brainer. Augustine’s art fits it perfectly. I believe they’ve already collaborated a few times together, and I’d love to see what they could do in a longer joint work.
